CONTINUITY [fr. déroulement]

The Emergency Room format depends upon the continuity of works and pieces produced by artist today.
The works and pieces is continually installed, during the Passage, in the Emergency Room.
And the works and pieces is continually transported from the Emergency Room to the Delay Space.
The exhibition is a kind of real time film with a rather slow frame-rate.
The frame rate of one frame per 24h.
Today is a concept which can only be understood together with continuity.
The concept of today would be unintelligible as an isolated concept, without any yesterday or tomorrow.
Today is the continuity of todays, a continuity in time which does not sum up to eternity.
The continuity of Emergency Room is a flow.
This continuity is the flow of pieces and works which represent the invisible images of social matter.
In that sense the very fast exhibition is similar to the very fast pictures of film.
The difference is that what is a very fast exhibition, is at the same time a very slow film.
This is probably because social matter is of a more plastic nature than pictures.
An Emergency Room Exhibition could then be seen as a “matter film” or “moving matter”.
The Emergency Room exhibitions is like living images.
The film is evolving depending of the context.
If something is happening the script changes.
This continuity is against supericiality.
If you stop developing the awareness muscle you get unaware of lack of training.
Continuity is the need of keeping up.
Continuity is flow.
The flow is growing while it continues.
Life is a stream.
The news is a stream.
So is the exhibition of today.
There is no interruption.
The exhibition is alive.
And cannot stop.