DELAY MUSEUM [fr. Musée du Retard]

The format of Emergency Room gives the possibility that one could, but doesn’t have to, establish a “Delay” Room.
This Delay Museum contains pieces which have been alive and actual in the today of the discourses of society, but now have turned into yesterday’s works of art.
The transport from the Emergency Room to the Delay Space doesn’t affect the quality of the work itself.
It is a consequence of the very concept of Emergency Art.
The works might still look very, very fresh and new, but aren’t.
They might, or might not, have became great or less great works of art, but this is questions for art history.
Questions of this kind is not especially relevant for the Emergency Artist.
The Delay Museum is mocking the institution.
The Delay Museum is more fresh than any other type of exhibition.
Fresh enough for the normal observer and normal art lover.
For Emergency Art it is yesterday’s art.
Not the art of today.
In a sense it is the retirement of the work.
When the work has done it’s civil duty it has earned a pension to which it retires.
The Emergency Artist wish it the best luck.
Before going on with producing today’s art.
This retirement is the delay.
This retirement is the Delay Museum.
Some of the art works are still very good works, even if they no longer are on show in the Emergency Room.
Some of the work that have been in the Emergency Room will go into a Delay Museum.
The Delay Museum is constituted by art work that have be given it or abandoned by the artist.
An artist who does not pick up his art work within 24 hours gives it automatically to the Delay Museum.
The Delay Museum is a museum.
It is made up of great art that have to be conserved with care.
The role of the Delay Museum is to show this great art.
The art that was shown in Emergency Room is still great art one or ten years after.
It is great art in spite of it’s spontaneity and speed with which it was made.
It is great art because of it’s spontaneity and speed with which it was made.
The art has a timeless life after Emergency Room.
The Delay Museum has a conservative function.
Like any museum.
But the Delay Museum is a defence attorney as well.
The Delay Museum should discourage the enemy of Emergency Room.
Opponents who argue that art can not be produced within the conditions of Emergency Rooms.
That art can’t be produced today.
That artists can’t work fast.
The Delay Museum wants to prove that masterpieces are being produced.
The Delay Museum show that in a period of one year the art of the Delay Museum still has the power to be more contemporary than any contemporary museum.
What is pejoratively called delay for Emergency Room seems to be fresh in the contemporary world.
Like an old auto bus sold to the third world.
What is not good for us is good for them.
Contemporary museum is the third world of art production in the eyes of the Delay Museum.
What is bad wine for us is good wine for them.
The delay museum is a HOOOOOOOUUUUUUUU made in a classroom.
It points out the abuse of the word “contemporary”.
Another exemple of the hypocrite’s abuse of words.
We call the Delay Space the “Delay Museum”.
In this way we wish to mock the museum.
Is piquette (bad wine) OR GOOD WINE?